st3rek:

bookjunkie26:

samswittyusername:

alangwiggy:

madmothmiko:

acolytejezebel:

Impossible!!

How do you even…. ?

This is the type of stage pageantry that people pay hundreds to see. Imagine how long the costume designer took intricately put into making those dresses the people behind the scene are the true heroes of theater 

The one on the right is a true work of art

THEATRE

AH YES THEATRE

Costumers get my full respect.

(Source: wannopvalentine, via no-business-like-broadway)

newyorker:

A Western is identifiable by people on horseback in the West, and a musical involves singing and dancing. But what characterizes film noir? Richard Brody on the elusive genre: http://nyr.kr/1A6z3wz

“The term ‘film noir’ has come down to us as a product of a subordinate strain of French criticism, different from the one that came to dominate cinematic discourse with the concept of auteurism, as well as to dominate filmmaking itself through the innovations of the New Wave. It had no currency among Hollywood filmmakers of the forties and fifties, for the simple reason that French criticism over-all had little influence in the U.S. until the rise of the New Wave.”

Above: “The Maltese Falcon”

newyorker:

A Western is identifiable by people on horseback in the West, and a musical involves singing and dancing. But what characterizes film noir? Richard Brody on the elusive genre: http://nyr.kr/1A6z3wz

“The term ‘film noir’ has come down to us as a product of a subordinate strain of French criticism, different from the one that came to dominate cinematic discourse with the concept of auteurism, as well as to dominate filmmaking itself through the innovations of the New Wave. It had no currency among Hollywood filmmakers of the forties and fifties, for the simple reason that French criticism over-all had little influence in the U.S. until the rise of the New Wave.”

Above: “The Maltese Falcon”

(Source: newyorker.com)